Vibe Coding of Sound Artifacts

In Stanford’s 220A: Computer-Generated Sound, we explored the creation of musical artifacts, including several data sonification tools, through real-time, LLM-assisted workflows implemented entirely with Web Audio technologies. Under the guidance of Dr. Chris Chafe at CCRMA, the course is structured around two weekly exercises: first, a traditionally hand-coded music software application; and second, an LLM-generated counterpart, where the emphasis shifts from technical implementation to creative ideation and system design.